Archive for the ‘ History ’ Category

Project Spotlight: Dear Photograph

A blog with an interesting concept, using vintage photographs and superimposing them on the physical sites they were once taken. A photo within a photo…. but there is more to this than just an fun twist on creating an image. The site takes its name from creating a direct address to the original photograph- Dear Photograph, a message written to the actual vintage photograph, of the memory it creates and even more so, the nostalgia for a world with film and tactile memories. Quite poetic:
“But I find Mr. Jones’s original conceit even more interesting: The messages on the site weren’t meant to be written to the people in the photos, but to the photographs themselves. These are messages to the message in the bottle, a thank-you note to a form of record-keeping that has changed beyond recognition. Sentiment for the past; sentiment for the ways we used to capture it: It’s a killer cocktail.” (Globe and Mail)
Dear Photograph Vintage Image
http://dearphotograph.com/

Clicking up the pieces

Clicking up the pieces.

I’ve been meaning to post a link to this Times of India article, written last summer. The article discusses the current situation of the Bourne and Shepherd studio, the oldest photography studio in the world, and still in operation. A fire tore through the inventory of negatives in 1991, and the studio’s current owner Jayant Gandhi is currently trying to piece together the vast archive of the studio through the various Bourne collections around the world. An attempt to establish the studio as a heritage building is underway.Bourne and Shepherd studio

Spotlight Project: Beyond Text

Interesting research project involving the use of emerging digital technologies to reanimate ethnographic items in museum collections.

http://projects.beyondtext.ac.uk/reanimatingculturalheritage/index.php

Cultural Heritage

Art Gallery of Ontario exhibition: “Where I was born…” : A Photograph, a Clue, and the Discovery of Abel Boulineau

Abel Boulineau photography French countryside peasants
On now at the Art Gallery of Ontario, is an excellent show about the work of a recently discovered photographer, Abel Boulineau, whose images conjure up romantic scenes of the French countryside around the turn of the twentieth century. While highlighting these poetic glimpses into French rural life, the exhibition also discusses the behind the scenes research that took place at the AGO by Vanessa Fleet that revealed the true author of this extensive body of work. I was fortunate to have been working at the AGO while Vanessa was unravelling the mystery of Boulineau and am excited to see the results of her hard work revealed to the public.

Check it out!

PHSC Presentation: The Samuel Bourne Albums

Well as I always feel about postings with my blog, its better late than never! So here is a link to a presentation I gave back in November 2010 at the Photographic Historical Society of Canada on my research involving the Samuel Bourne albums at the Art Gallery of Ontario, Toronto and the National Media Museum, Bradford, England. I had a great time sharing my knowledge with the enthusiastic members of the PHSC and look forward to further opportunities to do so!

Click here for link!

Colonial Legacy

I have finally uploaded an article that I wrote for the Royal Photographic Society Journal in England (published in February 2010), discussing a group of seven albums assembled by British photographer Samuel Bourne, which provide significant insight into 19th century colonial photography in India.

Colonial Legacy PDF (RPS Journal Article, February 2010)

Samuel Bourne Photograph of the Temples at the Burning Gat, Benares

Samuel Bourne: Vishnu Pud and Other Temples near the Burning Gat, Benares

Playing with Pictures: The Art of the Victorian Photocollage

I highly recommend this exhibition at the Art Gallery of Ontario (June – September 2010), Playing with Pictures: The Art of the Victorian Photocollage. Originally organized by the Art Institute of Chicago, Playing with Pictures, examines the pre-modern use of photocollage by Victorian aristocratic women, who combined their sharp wit and artistic talents to employ the photographic image in shifting webs of social structure and meaning. As discussed on the introduction to the exhibition:

“With sharp wit and dramatic shifts of scale, these delightful collages upend the serious conventions of photography at that time. They also reveal the accomplished hands and educated minds of their makers — taking on the new theory of evolution, addressing the changing role of photography, and challenging the strict conventions of aristocratic society. And while these unique compositions may seem wonderfully odd to us now, they are actually perfectly in keeping with the Victorian sensibility that embraced juxtaposition and variety. They also offer enduring inspiration for photographic experimentation today.”

Victorian Photocollage - Ducks and Portraits

“Putting a Face on the Gulf Oil Leak”

A tragic but critical story on the use of images to portray the victims of the Gulf Oil Leak:

http://lens.blogs.nytimes.com/2010/06/04/assignment-35/

The Egypt skyline showing The Sphinx and The Pyramids are seen after the lights are switched off for Earth Hour on March 27, 2010 in Cairo, Egypt © Jason Larkin



The Egypt skyline showing The Sphinx and The Pyramids are seen after the lights are switched off for Earth Hour on March 27, 2010 in Cairo, Egypt © Jason Larkin

Originally uploaded by Earth Hour Global

A 160-Year-Old Photographic Mystery

An interesting article from the Smithsonian on what might be one of the earliest examples of colour photography:

A 160-Year-Old Photographic Mystery.

Colour Daguerreotype with Birds Smithsonian Museum

Follow

Get every new post delivered to your Inbox.

Join 58 other followers

%d bloggers like this: