Archive for the ‘ Cultural Heritage ’ Category

Digital Resource Highlight: McGill Remembers

 

McGill University has created an excellent digital resource on their collection of University War Records. A fascinating archives story in itself, the collection creates digital records of each piece of documentation accumulated during WWII. The materials relate to those associated with McGill who were involved with the war, and provides further insight into the communities affected by conflict at home and abroad. It also is a excellent example of a successful digital initiative that makes available a variety of historical materials.

Principal F. Cyril James established the McGill University War Records office in recognition of McGill men and women in wartime service. In operation between 1942 and 1946 under R.C. Fetherstonhaugh, the office compiled information on the involvement of faculty, students, alumni, and staff engaged in the war effort. Throughout the Second World War, Fetherstonhaugh collected newspaper clippings, correspondence, and photographs, and prepared meticulous index cards to document each individual’s contribution.

The McGill University War Records are comprised of 6,617 index cards and more than 3,000 files containing newspaper clippings, correspondence and photographs. They document the involvement of McGill faculty, students, alumni, and staff in the war effort. In conjunction with the Office of the Principal and Vice-Chancellor, and the Graduates’ Society, the War Records office solicited information from individuals and families to create these files.

via MUA | McGill Remembers.

Photographer Spotlight: Alfred Eisenstaedt

As Dagmar rose to fame on Broadway Open House,...

Image via Wikipedia

While conducting an inventory of the AGO‘s Eisenstaedt prints the other day, I was reminded about how much I enjoy his photography and the influence he had in American popular culture through his iconic Life Magazine images. The first time I really began to appreciate Eisenstaedt’s body of work was at the AGO’s Ansel Adams/ Alfred Eisenstaedt show, held in 2006-2007. Although I was quite familiar with Adams’ images (really who isn’t?), I had only a passing knowledge of Eisenstaedt’s. The exhibition brought out some excellent prints such as his work in the Alpine retreat St. Moritz in the early 1930s, as well as other interesting examples of his inter-war photographs of life in Germany during the 1930s – a foreshadowed period of European history.

Alfred Eisenstaedt was born in Germany in 1898, and moved to Berlin with his family in 1906, and served in the military during WWI where he was injured. Shortly after he became a photojournalist and by 1929 he had enough success to become a full-time photographer. He captured key events in Germany during the early 1930s, including a meeting between Adolf Hitler and Benito Mussolini in Italy, 1933. By 1935, Germany had become a hostile place for the jewish photographer, and like many other in the arts communities of Germany, Eisenstaedt emigrated to the United States, settling in New York. He became part of an artistic community of immigrants from Eastern Europe that escaped from the growing hostility in Germany to the United States. From 1936 to 1972, Eisenstaedt worked as a photographer for Life magazine. His photos of news events and celebrities, such as Dagmar, Sophia Loren and Ernest Hemingway, appeared on 90 Life covers.

The Art Gallery of Ontario has an extensive collection of Eisenstaedt prints, spanning a broad section of his career. Here are some iconic images sourced from the incredible Google Life Archive that I still enjoy, even after seeing them so many times!

From the St. Moritz series in 1932:

In August, 1945, Eisenstaedt created his most famous photograph, what would become an iconic American image, an American sailor kissing a young woman in Times Square upon his return from the war. I found the frame sequence for this famous image at the Google Life Photo Archive, a great resource for American cultural history.

Three frames from photographer Alfred Eisenstaedt's famed set of the sailor kissing the nurse and other images of the Times Square VJ-Day celebrations.

Clicking up the pieces

Clicking up the pieces.

I’ve been meaning to post a link to this Times of India article, written last summer. The article discusses the current situation of the Bourne and Shepherd studio, the oldest photography studio in the world, and still in operation. A fire tore through the inventory of negatives in 1991, and the studio’s current owner Jayant Gandhi is currently trying to piece together the vast archive of the studio through the various Bourne collections around the world. An attempt to establish the studio as a heritage building is underway.Bourne and Shepherd studio

Spotlight Project: Beyond Text

Interesting research project involving the use of emerging digital technologies to reanimate ethnographic items in museum collections.

http://projects.beyondtext.ac.uk/reanimatingculturalheritage/index.php

Cultural Heritage

A 160-Year-Old Photographic Mystery

An interesting article from the Smithsonian on what might be one of the earliest examples of colour photography:

A 160-Year-Old Photographic Mystery.

Colour Daguerreotype with Birds Smithsonian Museum

Follow

Get every new post delivered to your Inbox.

Join 58 other followers

%d bloggers like this: